这是一场真正属于学龄前儿童的色彩大冒险！《嘿，托玛》借助“色彩”的趣味引导孩子专注于创造快乐地探索、发现和理解世界！又帮助父母，通过“冒险”让孩子接受色彩和艺术的熏陶。

战争，于1942年。小南部的镇被纳粹占领。-我不是犹太人，而不是一个犹太人！- Vadka绝望的惨叫声，挤下德国机床枪。vadka -黑头发的男孩十三，希腊和俄罗斯的儿子。而他的父亲是一个虚假的谴责，他在训练营在大街上和浸泡黑社会浪漫长大。vadka父亲认为毫无价值的人。尤其是现在，在占领时，其他的父亲在前线作战，保家卫国。他能知道，这个跛脚的阴沉猥琐男子被证明是一个英雄，谁救了他的生命在许多人的生命为代价？这部电影是根据真实事件。写实的历史，创建参与者的回忆。

战争，于1942年。小南部的镇被纳粹占领。-我不是犹太人，而不是一个犹太人！- Vadka绝望的惨叫声，挤下德国机床枪。vadka -黑头发的男孩十三，希腊和俄罗斯的儿子。而他的父亲是一个虚假的谴责，他在训练营在大街上和浸泡黑社会浪漫长大。vadka父亲认为毫无价值的人。尤其是现在，在占领时，其他的父亲在前线作战，保家卫国。他能知道，这个跛脚的阴沉猥琐男子被证明是一个英雄，谁救了他的生命在许多人的生命为代价？这部电影是根据真实事件。写实的历史，创建参与者的回忆。

Russian poet Anna Akhmatova became the conscience of a generation under the brutal repression of Josef Stalin. In examining the life and art of this courageous woman, THE ANNA AKHMATOVA FILE offers a portrait of a beloved artist and a powerful examination of a violent era in the former Soviet Union. 　　Using rare film footage, interviews, diary entries, and photographs, director Semyon Aranovich (Sonata for Viola) examines the heart of Akhmatova and the soul of this contradictory era in which Anna s poem Requiem became the underground anthem for the millions who suffered under Stalin. Also included is footage of her 1966 funeral, though the footage was confiscated and Aranovich waited more than 20 years to complete the film. 　　The film also offers interviews and commentaries on Akmatova s friends and contemporaries, including Boris Pasternak (Dr. Zhivago), Vladimir Mayakovsky, and Mikhail Sostchenko. 　　于在JOSEF STALIN残暴的镇压下的那一代人来说,ANNA AKHMATOVA是他们良知的代表.通过注视这位无畏女子的生活和艺术,ANNA AKHMATOVA档案给予了我们一幅倾于爱的艺术者的肖像和昔日苏维埃,那个风云时代一道明重的省视.semyon aranovich收集了珍稀的胶片片段,访谈,日记和相片来品看AKHMATOVA的心境.在STALIN当权下,她安魂的诗歌成为苦难万众地下赞歌和那个矛盾时代的魂灵.同样的,女诗人1966年的葬礼片段也悄然其中.尽管被当时的政府所没收.SEMYON还是等待了超过20年的时间,等待这个葬礼来完成自己的尊重之情. 　　同时收录了AKHMATOVA的朋友,同代人之间的谈话和评述.他们有: Boris Pasternak (帕斯杰尔纳克),Vladimir Mayakovsky(马雅可夫斯基)和Mikhail Sostchenko.

Russian poet Anna Akhmatova became the conscience of a generation under the brutal repression of Josef Stalin. In examining the life and art of this courageous woman, THE ANNA AKHMATOVA FILE offers a portrait of a beloved artist and a powerful examination of a violent era in the former Soviet Union. 　　Using rare film footage, interviews, diary entries, and photographs, director Semyon Aranovich (Sonata for Viola) examines the heart of Akhmatova and the soul of this contradictory era in which Anna s poem Requiem became the underground anthem for the millions who suffered under Stalin. Also included is footage of her 1966 funeral, though the footage was confiscated and Aranovich waited more than 20 years to complete the film. 　　The film also offers interviews and commentaries on Akmatova s friends and contemporaries, including Boris Pasternak (Dr. Zhivago), Vladimir Mayakovsky, and Mikhail Sostchenko. 　　于在JOSEF STALIN残暴的镇压下的那一代人来说,ANNA AKHMATOVA是他们良知的代表.通过注视这位无畏女子的生活和艺术,ANNA AKHMATOVA档案给予了我们一幅倾于爱的艺术者的肖像和昔日苏维埃,那个风云时代一道明重的省视.semyon aranovich收集了珍稀的胶片片段,访谈,日记和相片来品看AKHMATOVA的心境.在STALIN当权下,她安魂的诗歌成为苦难万众地下赞歌和那个矛盾时代的魂灵.同样的,女诗人1966年的葬礼片段也悄然其中.尽管被当时的政府所没收.SEMYON还是等待了超过20年的时间,等待这个葬礼来完成自己的尊重之情. 　　同时收录了AKHMATOVA的朋友,同代人之间的谈话和评述.他们有: Boris Pasternak (帕斯杰尔纳克),Vladimir Mayakovsky(马雅可夫斯基)和Mikhail Sostchenko.

大新闻！ 青州百姓们奔走相告。 西津渡二百年没有闺女出生的蒋氏一族生女娃了。 传说这女娃娃生来便身带大福运。 出生当天，久旱的大地便天降甘霖。 出生几天，家里长辈上山打猎，捡到大灵芝，解了家里的燃眉之急。 出生半年，父亲金榜题名被钦点为探花，光宗耀祖。

January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. France, still in shock from the November terror attacks, is in a state of emergency. I feel helpless, I suffocate with contained rage. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.